Museum of Augustins (Musée des Augustins)
21 Rue de Metz, Toulouse, Occitania, 31000
The Museum of Augustins, or Musée des Beaux-Arts de Toulouse, is one of the oldest museums in France and holds a large collection of both classic and modern art. Its Gothic interior and 14th-century cloisters form a marvelous backdrop for artworks by French masters and other well-known European artists.
The basics
A former Augustin convent that was converted into a museum during the French Revolution, the Museum of Augustins offers an exceptional setting for paintings and sculptures dating from the Middle Ages to the 1940s.
Works by French artists such as Ingres, Delacroix, Manet, Courbet, and local hero Toulouse-Lautrec are well represented, and there’s also a fascinating range of Gothic, Romanesque, and Renaissance sculptures, many obtained from buildings that once stood in Toulouse. Other European artists are featured, too—there’s a great selection of works by painters such as Perugino, Crespi, Rubens, and Murillo.
Things to know before you go
- Entry to the museum is by paid ticket—get free admission with a Toulouse Pass Tourisme.
- The museum is wheelchair accessible, and there are some wheelchairs available for rent at the front desk.
- The museum is closed Tuesdays and Wednesdays.
How to get there
The museum is located around the corner from the Esquirol metro stop on the southern edge of the Old Quarter of Toulouse. It’s a 20-minute walk from Toulouse’s main train station, and the airport is a 30-minute drive or taxi ride away.
When to get there
The museum is open to the public Thursday to Monday (closed Tuesday and Wednesday). Sunday afternoons are the busiest time there, so choose a different day for a quieter experience. The convent’s cloister provides a lovely, shaded space to stroll around on a hot day.
The French Revolution and France’s museums
As part of an attempt to secularize France during the French Revolution, church property was often confiscated by the state. The Augustine Convent was handed over to a local citizen who used the great refectory as a stable block before a petition led by eminent professors from the Royal Academy of Painting and Sculpture succeeded in securing the building as a museum, to house and protect the many precious artworks in Toulouse.
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